The Mavericks – 2020
April 15, 2020 @ 8:00 pm
Please expect your fellow audience members may dance at this event
which is highly encouraged by the band but may block your sight lines.
Sometimes all you need for things to come right is a little time.
The Mavericks – masters of country-Latin rock’n’roll, born in the rich cultural mix of Miami then tempered in Nashville’s country hothouse – rode high in the country and rock charts of the 1990s with culture-crossing hits like ‘What A Crying Shame’ and ‘All You Ever Do Is Bring Me Down’. Then they conquered Europe with the titanic feel-good party classic ‘Dance The Night Away’, a 400,000-seller in the UK. Yet nothing lasts forever, and in 2004 The Mavericks went on hiatus while frontman Raul Malo explored new musical avenues.
But since a reunion in 2012, this most singular of bands has re-established itself as one of the most exciting and joyfully entertaining acts on touring and festival circuit across the planet. It’s a reputation based on their irrepressible mix of country, Tex-Mex, rockabilly and Latino sounds plus a riotously entertaining, world-renowned live show. A Mavericks gig is a guaranteed party night encompassing everything from the essential ‘Dance The Night Away’ to the infectious Tejano-ska hybrid of ‘Back In Your Arms Again’ – and, on occasion, even wild cards like a Mavericks take on The Beatles ‘Back In The USSR’.
The Mavericks are true American originals, heirs to the great songwriting traditions of Cuba and Miami, of Nashville and San Antonio and Memphis. Now, on their 30th anniversary as a band, they’re back to remind the world why they’re so good. “Being away from the band felt like being in a kung fu movie where you go into the mountains on a mystical path to gain special wisdom,” laughs singer, guitarist, key songwriter and founder Mavericks member Raul Malo. “We needed that time away, and a big dose of humility too. It was good for us. That humility and that understanding of each other is what informs the band now. I think it makes us by far the best incarnation of this band yet.”
Raul and drummer Paul Deakin were there at the beginning, in Miami, Florida. The melting pot of this great city where Cuban, Caribbean, Latino and rock’n’roll cultures all clash gave The Mavericks their musical DNA. In the streets Raul would hear marching band music and salsa, and at home the magnificence of his mom’s opera records. “There was a blind guy who sat outside the grocery store playing accordion music for nickels and quarters,” he recalls. “It was some of the most beautiful music I’d ever heard. I loved the drama of it. Later I realized he was playing all the Italian arias that my mom was playing at home…”
Rock’n’roll came to him through Don Kirshner’s Rock Concert or The Midnight Special on TV. But the record that really changed his life was Elvis Presley’s operatic epic of love and longing ‘It’s Now or Never’. “That connected to every kind of music I liked from classical to The Beatles,” he says. “I’ve spent my life emulating that record.”
“And that’s been one of the keys of our longevity,” adds Paul, who took the University of Miami’s famous jazz course before co-founding The Mavericks with Raul and friends. “Everything Raul has listened to goes into the music.” They started out aiming to be a country band, mixing Hank Williams with Johnny Cash or Patsy Cline. But as time went by other influences came in from Raul’s first-generation Cuban-American stylings to Sinatra. And when they played live it wasn’t to country audiences but to the punk and alternative crowds with acts like Marilyn Manson. Anything went.
“We found that our recipe for success was the same thing that sustained us musically: mix it up,” says Paul. “Try things. And we found that nobody sounded like us.” There was something special in his musical partner too. “Some people say Raul’s become the voice of a generation,” says Paul. “I’d agree with that.”
The Mavericks’ rise in the 90s was meteoric. Within a year of forming in 1989 they had signed to MCA Nashville and in 1992 they released their major label debut ‘From Hell To Paradise’. There were hits on the radio and in the Billboard charts and, from 1994 to 1996, a string of Country Music Awards. Album number three ‘What A Crying Shame’ went US Platinum in 1994 and the following year they won a Grammy for their single ‘Here Comes The Rain’. And if the USA cooled a little on The Mavericks by the time of their fifth album ‘Trampoline’, 1998’s departure in style for the band, the rest of the world opened up to the classic ‘Dance The Night Away’ – a bona fide worldwide smash which remains a party standard to this day.
For Raul, the highlights of The Mavericks’ first go-round included a six-night run at London’s iconic Royal Albert Hall and making the video for their hit ‘All You Ever Do Is Bring Me Down’ in Santa Fé with the legendary Norteño, Tejano and Tex-Mex accordionist Flaco Jiménez (”that was special”). Paul’s greatest memories included playing on the AIDS benefit album ‘Red Hot + Country’ (“I’m in the studio with Carl Perkins and Duane Eddy!”) and opening for Robert Plant at the New Orleans Jazz Festival. “To me, this guy is just a god,” he says, “and he’s running over to us to say our ‘In Time’ record was his favorite of the year? It was just amazing.”
But success takes its toll. Not long after the release of their 2003 album ‘The Mavericks’ the band split. Around 2011, management had orchestrated a reunion tour, the band members sat down and laid down some new rules… “and here we are”. The band was clear from Day One that this was not some nostalgia trip. The Mavericks were back for real.
When the band sat down for their first dinner together in many years, Raul was clear that he didn’t just want to play the old stuff this time. He’d written a really great record, a Mavericks record. Did they want to do it? Scott Borchetta’s Big Machine Records, home of Taylor Swift, were interested and within two weeks the reformed Mavericks were in the studio with Niko Bolas producing. The first track they did was ‘Back In Your Arms Again’. “From that note when we first played together, those eight years we’d been apart were just wiped away,” says Paul Deakin. “Whatever that indispensable connection we had, it’s right there.”
The band are now four albums into their second phase and thoroughly enjoying the new world of the music business, where it’s all about the live performance – an arena where The Mavericks always excelled. A Mavericks show mixes the best of the past with the new material and the fans love the latter as much – if not more – than the former.
For Eddie Perez it’s more fun this time around. “In all my years of being a touring musician this moment is the most special one,” he says. “It feels like this band are doing things that are right. Being kinder to each other but challenging each other too, in the best way. We’re grateful and we know that not too many bands get to come back and write their own ticket like we did. “You have to work at it – even chemistry takes work. But if you stay focused on the bigger picture, you can make it work. What’s different now is that we recognize that everything everyone says is for the best and the betterment of the band.”
And now the band is in charge of its destiny. They run their own label Mono Mundo Recordings, deal directly with their booking agents, develop their own artists and choose their own path. They’ve long transcended the country bracket and now play eclectic festivals with artists from across the board – in 2019 they again performed at Glastonbury, perhaps the planet’s most diverse musical event.
Thirty years in, The Mavericks are doing it their own way – and enjoying it. “Musically it’s way more interesting now and I love that the fans will go with us wherever we’re going,” says Raul. “We have a great canvas that we can use at will, and that’s the ultimate reward for an artist. There’s nothing more satisfying.” “And the best thing is,” adds soft-spoken keyboard player Jerry Dale McFadden, “we’ve stayed true to the name of the band. I don’t know if these guys knew, when they chose the name just how maverick The Mavericks would turn out to be. But we are.
“I loved the past with The Mavericks,” says Jerry Dale, who joined The Mavericks in 1994 and stayed through the highs and lows. “But we’re a better band now than we were then. No question.”
Amen. Maverick by name, maverick by nature.