Boz Scaggs – 2nd Show – New Date
April 6, 2018 @ 8:00 pm
Due to the wildfires across northern California, Boz Scaggs’ dates on 10/19/17 & 10/20/17 at The Uptown Theatre Napa have been rescheduled to 4/5/18 & 4/6/18, respectively. Refunds will be available at point of purchase and currently held tickets will be honored on new date.
Due to the wildfires across northern California, Boz Scaggs’ upcoming dates on 10/19/17 & 10/20/17 at The Uptown Theatre Napa have been rescheduled to 4/5/18 & 4/6/18, respectively. Refunds will be available at point of purchase and currently held tickets will be honored on new date.
A casual listen to his discography makes one thing obvious: Boz Scaggs is both a musical seeker and a man of sizable talent as a singer, songwriter and guitarist. His explorations in blues and R&B, rock and jazz have produced lasting work and a career that has brought with it acclaim, a loyal following, and an enduring respect among musicians.
William Royce “Boz” Scaggs started playing in bands during high school in Dallas in the Sixties. Curiosity along with yearning for a Blues and R&B band brought him to San Francisco in 1967. After a stint with fellow Texan, Steve Miller, on several albums, he signed a recording contract with Atlantic Records and debuted with Boz Scaggs, produced by friend and Rolling Stone founder, Jann Wenner. That record featured the renowned Muscle Shoals Rhythm Section, Duane Allman and the slow-burn-to-high-heat track, “Loan Me a Dime.” Critical acclaim followed, as did a long-term relationship with Columbia Records. Boz would make seven records for Columbia including Moments, Boz Scaggs and Band, My Time, and Slow Dancer, and featured songs such as “We Were Always Sweethearts,” “Dinah Flo,” “You Make It So Hard,” and “Slow Dancer.”
Then came the multi-platinum 1975 release, Silk Degrees featuring hits like “Lowdown,” which won the Grammy Award for “Best R&B Song”, “Lido Shuffle,” “What Can I Say” and the ballad “We’re All Alone,” which became a worldwide hit for Rita Coolidge. Following Silk Degrees was Down Two Then Left, Middle Man and Hits, a compilation that featured the as-yet-unrecorded “Miss Sun” and the song from the motion picture Urban Cowboy, “Look What You’ve Done To Me.” Scaggs sat out most of the Eighties, touring sporadically and releasing one album in 1987, Other Roads. “In 1980, I decided to take a hiatus from the music business. I had intended it to be a six-month break, but I found when I got away from it that I wasn’t ready to jump back in. I had family matters to attend to. And at the bottom of it all, I just didn’t have any music in me, no creative urge at all. Music had become a routine.”
Fans who have followed Scaggs’ remarkable career will instantly recognize his characteristically deft touch on his new album, A Fool To Care. He brings a sly drawl to a funky workout like Li’l Millet and the Creoles’ “Rich Woman,” a conversational intimacy to Bobby Charles’s “Small Town Talk,” and an elegant delicacy to the Impressions’ “I’m So Proud.” He easily negotiates the Latin flavoring of “Last Tango on 16th Street” and “I Want to See You,” both written by San Francisco bluesman (and longtime Scaggs compatriot) Jack Walroth. His soul is effortless and deeply felt, never making a show of itself, but unmistakably evident in every lyric he delivers.
What ultimately communicates about A Fool to Care is how fully Boz Scaggs inhabits these songs. They seem less like interpretations than realizations, proofs that when you truly make someone else’s song your own, you paradoxically restore something essential to it. Scaggs believes that this album and Memphis, its immediate predecessor, might turn out to be the first two parts of a trilogy, a three-album collaboration with producer Steve Jordan and the band of extraordinarily empathetic musicians they love to work with. Let’s hope so, but let’s also not get ahead of ourselves. A Fool to Care is here right now, and to overlook its many great pleasures by thinking about more that might come in the future would be foolish and uncaring indeed.
Nestled in the famed West End district, this stunningly restored art deco masterpiece from 1937 showcases only the finest acts in music and comedy. A historic landmark, the Uptown offers a phenomenal, intimate live show experience with world class sound and site lines. Distance from the last row to the stage is only 98 feet making every seat truly a great seat!
The Uptown has played host to some of the biggest names in blues, rock, jazz, folk, and country entertainment; live music and comedy. Uptown Theatre is a must-see hot spot for anyone visiting Downtown Napa or looking for things to do in the Napa Valley!